Olde English Tile Colours

Super White is Olde English’s brightest neutral, a clean, high‑reflectance white that reads as pure and modern. It creates a crisp backdrop that amplifies natural light and makes architectural details stand out. In interiors it functions as a visual reset, allowing furniture, art, and finishes to take centre stage without competing for attention.

Pairs well with deep charcoals and soft sky blues for a contemporary, airy contrast.

White is Olde English’s versatile, slightly warm white that balances clarity with a whisper of softness. It reads as approachable rather than clinical, making it ideal for living spaces, kitchens, and trim where a welcoming tone is desired. White provides a neutral canvas that harmonises with both cool and warm palettes, subtly warming adjacent colours without altering their character.

Pairs well with natural woods and muted greens for a timeless, grounded scheme.

Ontario is Olde English’s cool off‑white with a faint grey undertone that lends it a sophisticated, restrained quality. It sits between white and pale grey, offering the brightness of white with the composure of a neutral grey — useful where a softer, less stark white is needed. Ontario works particularly well in modern interiors that favour minimalism but still require warmth and depth.

Pairs well with slate greys and navy for a refined, monochrome‑leaning palette.

Linen is Olde English’s warm, textile‑inspired neutral with gentle cream and beige nuances that evoke woven fibres. It brings a tactile, lived‑in softness to rooms, making it a favourite for bedrooms and cosy living areas. Linen’s warmth complements natural materials and layered textures, creating spaces that feel curated yet comfortable.

Pairs well with terracotta and sage for a layered, cosy aesthetic.

Mole is Olde English’s balanced brown‑grey neutral that reads as sophisticated and quietly modern. It has enough warmth to feel inviting while retaining a coolness that keeps schemes contemporary and elegant. Mole is a strong choice for larger surfaces (walls, cabinetry, or upholstery) where a neutral with personality is required.

Pairs well with blush pink and deep teal for a chic, modern contrast.

Coffee is Olde English’s deep, roasted brown with rich, chocolaty depth and subtle red undertones. It anchors spaces with a sense of intimacy and luxury, working well in dining rooms, libraries, and feature walls. Coffee pairs beautifully with metallics and lighter neutrals to create a sophisticated, layered look.

Pairs well with warm metals and cream for an elegant, intimate feel.

Black is Olde English’s pure, dramatic black that provides instant graphic contrast and architectural definition. Used sparingly it sharpens details - window frames, trims, and statement furniture - and used boldly it creates moody, cinematic interiors. Black’s neutrality makes it a powerful partner for almost any colour, especially when balanced with lighter tones.

Pairs well with Super White and brass for a high‑impact, timeless scheme.

Pearl Grey is Olde English’s luminous mid‑grey with a subtle sheen that reads as calm and polished. It offers a softer alternative to stark greys, reflecting light while maintaining a composed, neutral presence. Pearl Grey is ideal for spaces that need a sophisticated backdrop without the austerity of darker greys.

Pairs well with pale blues and soft whites for a serene, spa‑like atmosphere.

Pale Grey is Olde English’s light, silvery grey that reads almost ethereal in bright light. It functions as a cool neutral that subtly mutes surrounding colours and enhances a sense of space. Pale Grey is particularly effective in contemporary interiors where a crisp, understated backdrop is desired.

Pairs well with charcoal and pastel accents for gentle contrast.

Grey is Olde English’s balanced mid‑grey, neither too warm nor too cool, making it exceptionally versatile. It provides a neutral foundation that supports both saturated colours and softer tones, and it adapts well to changing light conditions. Grey is a dependable choice for modern schemes that require a calm, cohesive base.

Pairs well with mustard and walnut for contemporary warmth.

Anthracite is Olde English’s deep, inky grey with urban sophistication and a hint of blue‑black depth. It creates dramatic, enveloping spaces that feel both modern and intimate, perfect for accent walls or cabinetry. Anthracite's depth allows accent colours to pop while maintaining a refined, moody atmosphere.

Pairs well with Super White and emerald for a luxurious, high‑contrast palette.

Slate is Olde English’s cool blue‑grey inspired by natural stone, with mineral clarity and subtle complexity. It brings a grounded, organic feel to interiors and works beautifully with textured materials like concrete, stone, and raw timber. Slate is an excellent choice for schemes that aim for a calm, coastal, or industrial edge.

Pairs well with ochre and soft greens for a nature‑inspired palette.

Red is Olde English’s classic, confident red with vintage warmth and a slightly muted saturation that avoids being overpowering. It reads as both traditional and contemporary depending on its companions, and it’s often used to create focal points or to inject energy into a room. Red’s warmth makes it particularly effective in dining areas and feature elements.

Pairs well with navy and cream for a timeless, bold trio.

Chocolate is Olde English’s sumptuous dark brown with cocoa richness and subtle warmth. It conveys comfort and sophistication, making it suitable for upholstery, cabinetry, and statement walls. Chocolate harmonises with both warm and cool accents, offering a versatile anchor for layered interiors.

Pairs well with pale grey and copper for refined warmth

Toffee is Olde English’s warm caramel brown with golden undertones that glow in natural light. It has a retro‑modern charm that feels both nostalgic and fresh, lending itself to mid‑century and contemporary interiors alike. Toffee works well where a friendly, approachable brown is needed without heaviness.

Pairs well with teal and ivory for a lively, vintage‑inspired palette.

Havana is Olde English’s sun‑baked brown with a hint of rust, evoking terracotta and aged leather. It brings an earthy, worldly character to spaces and pairs naturally with botanical greens and textured linens. Havana is ideal for creating warm, lived‑in rooms with a sense of history.

Pairs well with olive green and cream for an organic, grounded scheme.

Yellow is Olde English’s sunny, optimistic yellow with a clear, cheerful presence that lifts a room’s mood. It reads as energetic and friendly, excellent for kitchens, playrooms, or accent details that need brightness. Yellow works best when balanced with grounding neutrals or deep blues to avoid visual fatigue.

Pairs well with deep blues and warm greys for energetic contrast.

Honey is Olde English’s warm amber yellow with a soft, golden glow that feels inviting and mature. It has a richness that reads as sophisticated rather than candy‑bright, making it suitable for feature walls and accessories. Honey complements natural materials and deep blues to create a cosy, elegant atmosphere.

Pairs well with navy and natural wood for cosy sophistication.

Pistachio is Olde English’s pale, nutty green with a fresh, slightly sweet character that feels modern and optimistic. It brings a light, botanical touch to interiors without overwhelming the palette, working well in kitchens, bathrooms, and nurseries. Pistachio pairs beautifully with soft neutrals and warm accents for a contemporary, uplifting scheme.

Pairs well with blush and warm white for a gentle, modern look.

Pale Green is Olde English’s soft minty green that reads as calm, restorative, and subtly vintage. It creates tranquil spaces that feel airy and restorative, especially when used on walls or cabinetry. Pale Green is a natural choice for rooms intended for relaxation and quiet reflection.

Pairs well with pale blue and light oak for a tranquil, coastal‑leaning scheme.

Green is Olde English’s true mid‑green with balanced saturation and a natural, botanical quality. It reads as grounded and versatile, suitable for both contemporary and traditional interiors. Green brings a sense of the outdoors in and works well as a dominant colour or as a strong accent.

Pairs well with terracotta and cream for a warm, nature‑inspired palette.

Dark Green is Olde English’s deep forest green with stately presence and a luxurious, enveloping tone. It creates dramatic, intimate interiors that feel sophisticated and timeless, especially when paired with rich textures and metallics. Dark Green is often used to create a sense of depth and permanence in a room.

Pairs well with brass and deep burgundy for a luxe, moody palette.

Australian Green is Olde English’s vibrant, sunlit green with a lively, verdant character that energises spaces. It reads as fresh and contemporary, ideal for accent walls, cabinetry, or statement furniture that needs a burst of vitality. Australian Green pairs well with warm neutrals to keep the overall scheme balanced.

Pairs well with warm neutrals and denim blue for a lively, modern look.

Pale Blue is Olde English’s soft sky blue that evokes open air and calm horizons. It creates serene, restorative interiors and is particularly effective in bedrooms, bathrooms, and spaces intended for relaxation. Pale Blue works as a subtle backdrop that enhances natural light and pairs easily with sandy neutrals.

Pairs well with sandy neutrals and white for coastal serenity.

Blue is Olde English’s true, steady blue with clear tone and dependable presence. It reads as classic and versatile, suitable for everything from cabinetry to feature walls and textiles. Blue provides a stable anchor in a palette and harmonises with both warm and cool accents.

Pairs well with mustard and warm wood for balanced contrast.

Dark Blue is Olde English’s deep navy that conveys formality, depth, and a timeless nautical elegance. It creates dramatic, composed interiors and is an excellent choice for statement pieces and architectural elements. Dark Blue pairs beautifully with crisp whites and metallics for a polished, classic look.

Pairs well with Super White and brass for nautical or formal schemes.

Blue Moon is Olde English’s muted, slightly greyed blue with vintage charm and subtle complexity. It reads as sophisticated and slightly nostalgic, making it suitable for both modern and heritage interiors. Blue Moon works well where a blue is desired but a softer, more nuanced tone is preferred.

Pairs well with rose and stone grey for a refined, layered palette

Pink is Olde English’s bright, playful pink with a lively, contemporary edge that enlivens accents and accessories. It reads as youthful and bold, perfect for statement pieces, feature tiles, or playful interiors. Pink is most effective when balanced with grounding neutrals or contrasting darks to avoid overwhelming a space.

Pairs well with charcoal and mint for modern retro energy.

Old Pink is Olde English’s muted, dusty rose with a nostalgic, elegant quality that feels both soft and sophisticated. It brings warmth and subtle romance to interiors without being saccharine, making it suitable for bedrooms, sitting rooms, and feminine‑leaning schemes. Old Pink pairs beautifully with natural greens and warm beiges for a gentle, refined look.

Pairs well with sage and warm beige for soft, elegant interiors.

Parma is Olde English’s cool lavender‑leaning purple with a gentle, refined personality that reads as quietly luxurious. It offers a sophisticated pastel option for interiors that want a hint of colour without high saturation. Parma works well in calming spaces and pairs elegantly with silvery greys and pale neutrals.

Pairs well with pale grey and silver for a refined pastel palette.

Vanilla is Olde English’s creamy, buttery neutral with a soft sweetness that warms a room without dominating it. It functions as a versatile backdrop that enhances wood tones and warm metals, creating inviting, lived‑in spaces. Vanilla is an excellent choice where a gentle, comforting neutral is desired.

Pairs well with espresso brown and olive for warm, inviting rooms.

Ivory is Olde English’s warm off‑white with a touch of cream that reads as classic and understated. It softens contrasts and adds a subtle glow to interiors, making it ideal for traditional and contemporary schemes alike. Ivory provides a gentle alternative to stark white while maintaining a clean, elegant look.

Pairs well with charcoal and gold for classic, understated luxury.